“If I can stop one heart from breaking,
I shall not live in vain; if I can ease one life
from aching, or cool one pain, or help one
fainting robin unto his nest again,
I shall not live in vain.”
Napa Auto Parts Building Portrait – 8″ x 10″ Watercolor & Prismacolor Fine Art Pens
This is another fun little building portrait. I am having such a great time doing these portraits and the business owners are having a great time, too. I am encouraging them to use them to market their businesses. They will be using the digital images for their Christmas cards and stuff like that. I’m working on Auntie Faye’s Fudge Shop now and that building is colorful and fun. I can’t wait to show you.
In 1830, Emily Dickinson was born in Amherst, Massachusetts. She attended Mount Holyoke Female Seminary in South Hadley, but severe homesickness led her to return home after one year. Throughout her life, she seldom left her house and visitors were scarce. The people with whom she did come in contact, however, had an enormous impact on her thoughts and poetry. She was particularly stirred by the Reverend Charles Wadsworth, whom she met on a trip to Philadelphia. He left for the West Coast shortly after a visit to her home in 1860, and some critics believe his departure gave rise to the heartsick flow of verse from Dickinson in the years that followed. While it is certain that he was an important figure in her life, it is not certain that this was in the capacity of romantic love—she called him “my closest earthly friend.” Other possibilities for the unrequited love in Dickinson’s poems include Otis P. Lord, a Massachusetts Supreme Court Judge, and Samuel Bowles, editor of the Springfield Republican. More….
Interesting item from poets.org: Upon her death, Dickinson’s family discovered 40 handbound volumes of nearly 1800 of her poems, or “fascicles” as they are sometimes called. These booklets were made by folding and sewing five or six sheets of stationery paper and copying what seem to be final versions of poems in an order that many critics believe to be more than chronological. The handwritten poems show a variety of dash-like marks of various sizes and directions (some are even vertical). The poems were initially unbound and published according to the aesthetics of her many early editors, removing her unusual and varied dashes and replacing them with traditional punctuation. The current standard version replaces her dashes with a standard “n-dash,” which is a closer typographical approximation of her writing. Furthermore, the original order of the works was not restored until 1981, when Ralph W. Franklin used the physical evidence of the paper itself to restore her order, relying on smudge marks, needle punctures and other clues to reassemble the packets. Since then, many critics have argued for thematic unity in these small collections, believing the ordering of the poems to be more than chronological or convenient. The Manuscript Books of Emily Dickinson (Belknap Press, 1981) remains the only volume that keeps the order intact.